A.DE.S

Advanced Design Studies is an institute for a critical exploration into materiality, terraforming, and anthropocentrism. The institute conducts research into futures of sustainable societies and wellbeing.

Future Material Wellbeing research project

FUTURE MATERIAL WELLBEING is an ongoing research project exploring possible futures of wellbeing in sustainable societies. The project investigates the material of social justice in relation to an emerging economic paradigm of sufficiency as being a possible foundation for wellbeing societies of the future. It seeks to formulate the potential of design discipline in this future.

The key concept presented in this project is reciprocal recognition (Honneth, 2012). Through a speculative design perspective, the project narrates a fictional future society where wellbeing is defined by social justice founded on principles of recognition. The project proposes a speculative model of material wellbeing, by this charting a trajectory of possible futures, reimagining social justice and reconceptualising social contracts through recognition. By extrapolating to futures societies based on social justice and sustainability, the project provokes critical thinking about present-day economic and social structures.

For enquiries regarding this project, collaboration proposals and other ideas please contact Dr. Karina Vissonova

Resent publications on Future Material Wellbeing

Decoupling growth and re-coupling wellbeing: is a future sustainable society model on horizon? (2024) in Human Futures Magazine Special Issue UN Summit Sep.2024
Design for wellbeing – … when is time for design dreaming. Design For All, Special issue, editor Steinar Valade-Amland, September 2024
Vissonova, K.,and Hohl, M.(2023) From Consumer Capitalism to Wellbeing: Re-imagining Futures of Design Education in the View of Pluriverse

Design education in the age of transformation

We are in an age of transformation. We have outgrown the age of industrialisation which emphasised materialistic values and promoted liberties to build, consume and produce, regardless, at what or whose expense. Design can transition us into a new paradigm. What we require is a new design education.

The age of transformation introduces new values and new relationships with built environments, goods and services. Design obtains a new relevance in ensuring our material wellbeing, whether the process of design results in advanced technologies, skilfully hand-crafted meaningful products, systematic access to products, or in emotional wellbeing.

We propose that design education in the age of transformation is built on the following principles:

Trans-disciplinary / Cross-cultural / Adaptive / Co-generative / Futures-literate

  • Designers are trained to transform ideas into useful propositions. The core competence is to deliver positive relationships with functional and asthetic artefacts that assist our life. As climate change, environmental degradation and social inequality are multilayered large scale problems involving multiple disperse disciplines, transdisciplinary approach enhances design competencies to solving these problems. Design studies must engage disciplines which inform and define contemporary design contexts. These are, but may not be limited to: environmental studies, economics, philosophy of design and of technology, ethics, geopolitical studies, life sciences.

  • Cross-cultural communication (including cultures formed by occupational training) is imperative for positive collaboration dynamics and in co-creation of new artefacts and systems. An effective design learning environment resembles a workplace, where colleagues trained in multiple disciplines and with multiple backgrounds work together. By learning from various disciplines, multilayered complex problems are resolved more efficiently and with longer lasting positive impacts. Therefore, programmes training designers in the age of transformation should admit students with various skills sets and interests.

  • To keep a pace with rapidly changing complex conditions of the world, influenced by climate change, geopolitical shifts, policies, and not least, changing human values; design studies should be adaptive and engage knowledge fields with the highest potential to address contemporary and relevant issues. For instance, under a theme “vibrant and sustainable societies”, design students may learn about wellbeing, psychology, anthropology, as well as eco-agriculture and economics. The knowledge fields inform the potential of design solution. The adaptive theme-based curricula is an effective way of learning how to address relevant issues. Each year’s study programme may adapt emerging themes and subsequent knowledge fields of the time.

  • While education is an individual journey of self-development, design students undergo group-work based research and development projects, working in close collaborations with various experts in the selected knowledge fields according to the adaptive theme-based curriculum. The learning approach is “co-generation of knowledge”, where the students and the teacher-experts alike, intend to establish base-line knowledge, and to co-develop new methods of thought and new solutions pertaining to the fields. The learning is thus a process engaging the students and the experts alike, mutually co-learning as a group and benefiting each-other.

  • Design is entangled with future – future of the planet and us. Increasingly, design principles are being integrated into foresight methodologies and vice versa, co-creating a more robust approach to creating a desirable future for the planet and humankind.

The above 5 education principles are developed and practiced in A.DE.S.

Feedback culture / Reflective / Critical– systemic thinking / ecologically literate

  • Feedback is crucial for self-development and improvement of learning and practice. Only when we know how our work is perceived by others can we may make conscious changes. Teachers provide feedback to students, and students provide feedback to teachers. This feedback is used to adapt the learning experience. The seminar transforms into a shared design experience, in which responsibilities are shared among all attendees. We learn to communicate with clarity and consideration, while listening carefully with the intent to understand. Giving and receiving feedback also needs to be learned, also that there are different kinds of feedback, such as formative feedback, feed-forward and summative feedback. When learning is the students job, what is the job of the teacher?

  • Alongside feedback of importance is reflection. We do not learn through experience and feedback automatically, we have to reflect. Reflection is essential for deeper learning and improvement of practice. There are different ways of reflection that also have to be learned. Making conscious use of reflection may lead to new ways of reflecting—and better learning. Different methods of reflection should be made explicit, practiced and consciously used. Among those methods are writing going for a walk with a conversation partner, reflecting together as a group and reflecting in our journals or in an email. Additionally we reflect about our different ways of reflecting which permits students to develop their own ways of reflecting in other contexts and find out what works for them. And reflecting together establishes familiarity and trust.

  • Critical thinking is related to critical consciousness which proposes that people discover and record challenges in their communities and debate ideas about how to address them. Such critical consciousness is a foundation for democratic participation. This problem-based approach reminds us of a design studio where learning takes place through active problem solving and critical reflection. We link critical thinking to systems thinking, leading students to investigate the complexity hidden behind simple products and designs. We gain insight into carbon footprints, the miles that materials and products travel across our globalised world, into energy, labour conditions and resources. Innocuous household items become part of larger networks and relationships. We develop methods to map these, and thus gain a better understanding of their connectedness and complexity. Systems thinking enables us to discover the hidden complexity of our world, distinguish interdepencies and map leverage points.

  • A commitment to sustainability is very much linked to systems thinking. Only when we reveal the hidden complexity of our designs we can aim at making them more sustainable. This should become a school wide project and commitment. Engrained into our practice, life and actions. For this we also need to understand ecosystems and how they work. This will also help us to better understand the bigger picture around our school knowledge, and how it is actually linked and related to our own ecosystem, our lives and our design practice.

The above 4 education principles are developed and practiced in the Dessau model of transformative design education, University of Anhalt, Department of Design.

Erasmus+  consortium

2020-2023 ADES joins Erasmus+ consortium ABRA for developing transdisciplinary education in art and science for sustainability. ABRA (Artificial Biology, Robotics and Art) is a project aimed to address innovation and renewal of education by developing transdisciplinary higher education methods that bridge the arts and sciences, specialising in the fields of artificial biology, robotics, and art.

The A.DE.S partners in ABRA are the University of Aalborg (DK) - robotics, University of Aalto (Fin) - art, and University of Trento (IT) - artificial biology.

A.DE.S Publications

the “green bumble – undiscussed discussions” anthology on sustainability, 2021

The “Green Bumble - undiscussed discussions” anthology on sustainability is a book produced by ADES to address some of the critical questions about sustainability. The book includes essays, interviews, opinion pieces and reports reflecting on matters that influence our progress to becoming a more sustainable society. Green Bumble is a light read and is aimed to inspire conversations about our common future.

Contributing authors: Karina Vissonova, A.DE.S; Tom Crompton and Ruth Taylor, Common Cause Foundation and WWF-UK; Helga Veigl, The Futures Lab; Brian Czech, CASSE and Jonathan Trent, OMEGA project NASA and Upcycle Systems. The project was supported by Northern Dimension Partnership on Culture, Latvia.

Download and enjoy your read!

Design: Walter Werner Designs

biomimicry budapest perspective 2018

Cover design: Joanne Pang
For a paperback print of this book please contact us and we will do our best to send you a copy.

The publication Biomimicry Budapest Perspective is a compilation of essays and multimedial art works. The book reflects on the quality of “what is human”. It concentrates on the meaning of “learning from nature” and the deeper aspects that connect human and nature.

The Biomimicry Budapest Perspective recognises the technocentric orientation of biomimicry practice. The practice is inspired by the shapes and functions present in nature, and some elements of the nature’s self organising principles.

The authours explore ecological condition of a human, its advancements and limitations. There are many lessons yet to learn from nature, though perhaps the one we ought to learn first is about ourselves.

Authors and contributors:

Hugo Araujo (Belgium/Mexico), Joanne Pang (Singapore), Lilla von Puttkamer (Germany), Sabrina Stiegler (Germany), Andor Wesselenyi-Garai (Hungary), Miguel Miguel & Miguel (Brazil), Karina Vissonova (Denmark/ Hungary), Rihards Funts (Latvia), Jaap Scholten (Netherlands/ Hungary), Levente Gyulai (Hungary)

Contributing artists: Cora Schmelzer (Germany), Ana Amoros (Spain), MAD international design summer school, Hugo Araujo (Belgium/Mexico), Miguel, Miguel & Miguel (Brazil), Gunta Strauberga (Latvia)

The essays are written exclusively for the publication. The art works are contributed by the artists for the publication.

The book resulted from an interdisciplinary arts& design colab Biomimicry & Connectivity, held between the 10th and 12th October, 2018 in collaboration with Art Quarter Budapest. The event was the launch of the institute during the Design Week Budapest.

A.DE.S people and affiliations

A.DE.S is founded in 2018 as an independent non-profit institute for research in design studies for sustainability by Dr. Karina Vissonova.

The institute’s first years were intellectually, kindly and financially supported by Robert and Julia Hejja (HU).

The institute’s first board of advisors include:

Maria Aiolova (US), co-founder of Terreform One; Jonathan D. Trent, Ph.D. (US), founder of UpCycle Systems and NASA omega project; Karen Blincoe Ph.D., (DK) DD, FRSA, founder of ICIS centre; Steinar Valade-Amland (DK), founder of three point zero; Daniel Schwartzwartz (US) CEO of Dynamica, Inc., a philanthropic foundation.

As of 2021, A.DE.S founder Dr. Karina Vissonova is a full member of the World Futures Studies Federation.

Affiliation with The futures lab and futurexperience Lab

As of September 2020, the institute journeys along with an exciting affiliated partner The Futures Lab and its FutureXperience Lab - a USA/Europe based research & consultancy group in the field of futures studies, in person of the founder, chief futurist Derek Woodgate, member of the WFSF and advisor to the UNESCO Committee on Futures Literacy. The team has over 20 years’ experience of practicing the science of foresight with major international corporations, government institutions, associations and non-profits. In addition, Derek has curated several art & science artworks and exhibitions, through the FutureXperience Lab, and is well known in this field as well as the field of future studies.

Affiliation with International Summer School of Design MAD

The name MAD is derived from the keywords describing the concept of the school—Man and Design. Influenced by the expertise of designers, artists, and scientists, crafts play the central role in teaching activities at MAD. With the work with traditional materials such as wood, stone, clay and fiber, students experience the passion of creating. MAD International Summer School of Design is one of the most recognised crafts and design schools of Europe and is acknowledged by the Michelangello Foundation.

(Photo gallery MAD 2018/2019)

Guest faculty 2020/2021

The institute’s study programme is developed by Dr. Karina Vissonova and in 2020 made into an actionable course by Dr. Judit Boros.

A.DE.S has worked with lead thinkers in education, design, spirituality, and sustainability.